"Russian Roulette"

The Castaneda Family at Sunday Church in the Hamoja Housing Complex, 1959 (Augie Castaneda, Jr., California State University Channel Islands, Online Archive of California).

Younger generations of Pinays/oys coming of age in America post the American Civil Rights Movement and ensuing legislation (such as the 1965 Immigration Act that removed immigration quotas against Filipinas/os), grew restless with the manong generation for their perceived impotence. This tension is articulated in research from Dawn Mabalon’s Little Manila Is in the Heart, “The left-leaning and radical politics of some members of the second and third generations was a reaction to the deeply conservative atmosphere in which most of them had been raised in Stockton in the 1950s. As the historian Estella Habal argues, postwar Filipina/o American parents deemphasized language skills and traditional ethnic culture and emphasized instead assimilation and Americanization to help shield their children from the humiliation of racism.”

Russian Roulette

One man wants to prove how strong he is,

the other how strong he is still.

The former, feet planted, legs bent,

was ready to uncoil, release, spin a roundhouse

kick to my father’s,

our father’s head,

arms taut, hands poised ready to whip,

strike, gouge, like snake or bird,

at the man who flailed his arms wildly, performing

a different dance this time in the living room,

from those we saw Saturday nights

as Lawrence Welk smiled on the television,

bubbles floating up from behind the orchestra.

“Asparagus”

Info.

“Canciones”